The death of one of the symbols of the Amazigh cultural movement in Libya
Events and memories pass quickly like a movie tape in my head and my imagination about the comrade whom we buried today and the body ends and what remains is a long journey of everlasting memories and your deeds that will remain forever in the memory of generations and perhaps history books. You, my friend, are known by every rock and every path and path. Caves, squares and squares, the Baroni Club and the Freedom Festival, of which you were one of the founders, know you.
The Baroni Museum also knows you and your touches there during times of fear and terror and years of embers. He knows you for your surrealist paintings. He knows you for the guitar, banjo and bandir. He knows you for your poems and writings that you used to recite at a time when many people could not even talk to themselves. About right and freedom, You were on the university campus in Tripoli, raising your voice loudly in a time of gallows and prohibition.
You know the village of Tamouqt, Bou Zakari, Gasro N Ikhavorn, Gasro Zoukg, and the beaches of Zuwara and its farms. You know the city of Yafran and the late Najib Al-Taash, and you know the great and spiritual father of the Amazigh movement, the late Saeed Sifao Al-Mahrouq. I remember him well reading your Amazigh poems, correcting them, and praising you. Proud of the youth of that stage. All the Amazigh youth at the University of Tripoli knew you during that period and that bitter and dangerous time. They knew you well, Commander Moro Al-Ghadamsi in the Scout Movement and your activity within it.
Of his artistic works
May you rest in peace, my companion, may God have mercy on you and forgive you, and my deepest condolences to your wife and children, Sifao and Moro. My deepest condolences to your wife and children, Sifao and Moro, and our condolences to his brothers Ahmed, Amr, and Ahmed, and all the sons of the Libyan Amazigh movement in our loss of a stature of the Amazigh and Libyan work.
Of his artistic works
Issa Ahmed remains one of those true activists that I inherit. Amazigh cultural activity at the level of the mountain, coastal and desert regions. He wrote his writings and poetry and was a player on the guitar and bandir.
Of his artistic works
Of his artistic works
note
These pictures he took of himself, his drawings, and his tools in his room in the university residence at the University of Tripoli