Fouad Azrawal... Amazigh theater has developed greatly and known brilliant experiences
Casacity:
The Casacity website hosted Fouad Azroual, a researcher at the Royal Institute of Amazigh Culture, in order to talk about Amazigh theatre. Azroual emphasized in his speech that the latter came late compared to Moroccan theatre, and was linked to the social and cultural dynamism created by the Amazigh movement, starting in the 1990s. As it was able to introduce the art of theater into its culture in addition to other arts, Azroual highlighted that Amazigh theater began in a simple and spontaneous manner, and was developed by a group of young people who were jealous of the Amazigh identity and culture, and were able to advance this art, thanks to their interest in formations, receiving training, and their exposure to national experiences. And international.
While Saeed Abernous, the playwright, highlighted that during the last decade, theater in the countryside witnessed an important development, thanks to the great interest of associations in this art, especially since they began to work on texts whose writers and actors were from the countryside, which made the harmony appear better, and made the stereotype that was about Amazigh theater is changing.
For his part, the theater actor, Mohamed Boudan, confirmed that theater in the Souss region has developed significantly, thanks to the assistance of the Royal Institute of Amazigh Culture, while Mawla Malina, a theater actress from the Kabyles of Algeria, highlighted that the theater in her country knows an abundant production of Amazigh plays, as their number reaches... Approximately 20 theatrical productions per year.
In a final word, Fouad Azroual sent a message to everyone, to pay attention to theater and this noble, important and dangerous art, and to work together hand in hand to advance the Amazigh theatre.
Source: websites